Have you ever heard of “Stuffed Quilting,” “Corded Quilting,” or “White Work”? When people describe this type of quilt-work, they are usually referring to the technique known as “Trapunto.”
Pronounced “trah-poon-toh,” the word “Trapunto” originates
from the Latin and Italian word “trapungere.”
In Latin this word originates from “tra/trans” and “pungere,” and means “to
prick through,” while in modern Italian, “trapungere” means “to embroider.” “Trapunto” as a term was only adopted around 1920,
but the technique of stuffing an image into quilting goes all the way back to Italy in the
1300’s. This style of quilting can also be
seen in many textiles from Tudor England (1485-1550A.D.), and from France in the
1600’s.
Trapunto employs a basic running quilting stitch to create a
design or image in a solid piece of fabric.
Picture a dotted line of thread that sandwiches layers of fabric and
quilt padding together.
By controlling the
proximity of these stitched rows, you can control the relative thickness of your
quilt.
For example, by grouping several
rows of stitching together, the quilter compresses the quilt padding and creates
a flat background.
Wider-spaced rows of
stitching allow the middle layer of padding to expand, for a slightly fuller
look.
Featured designs or images are
then given even more volume by adding stuffing or cord to the filler layer, in
small, controlled pockets.
The result
is a pillow-y image made up of tiny half-spheres and ridged lines.
This manipulation of volume with additional filler
material is why Trapunto is often referred to as “stuffed quilting.”
Many fabrics have been used to create this classic quilted clothing and
bedding effect, but Trapunto is traditionally known for using solid, white fabric. The shadows on the bright, light-reflecting
surface help the eye to see the intricate designs and relief-work of these
amazing pieces.
My white work sample, which used quilt filler, stuffing, and cord, in its glorious, haphazard entirety:
In my next sample, I have drawn in the stitches on the front side, to make them easier for you to see. In this example, additional fabric is only used to create the stuffing pockets that comprise the rabbit, rather than an entire backing:
A less traditional technique, also used with Trapunto, is to
quilt a semi-sheer fabric like silk or rayon over a bright fabric or yarn.
By controlling where the color shows through,
the quilter can create a striking 2-D image.
In the first example of this method, bright fabric is used as the backing. Again, I've drawn over the stitches to help you see them.
The areas that are stuffed become white, creating a negative image of an eye:
In the second example of this kind, a sheer fabric is stitched to a bright backing. Brightly-colored yarn is sewn between the layers, to create an accent design:
When you turn it over, the bright colors have become subtle. The purple oval is lightly stuffed but distinct from the equally colorful red background. In contrast, the purple triangle has been stitched between two semi-sheer, white layers (both on top of the red fabric), to make the red background even more subtle:
MUSEUMS
If you would like to see more traditional (and complex!) examples of Trapunto, many textile museums have samples and images of beautiful pieces that can be seen in person or online.
Below, I have placed the links for 3 lovely examples:
1. Popular quilt images often included fruit and plants. A great example of this can be seen in this flower-filled basket detail, from a quilt made by Orella Keeler in the early 1800's. This quilt is in the collection of the Daughters of the American Revolution Museum.
2. Other stuffed-work quilters ambitiously decided to depict specific scenes from life or literature. the Russellville Fair Quilt, made by Virginia Ivy between 1856 and 1857, shows various people, animals, and buggies at a county fair, and is in the collection at the National Museum of American History (you can zoom in to examine various details).
3. Two of the most famous examples of stuffed white work are also amongst the oldest preserved quilts. The "Tristan and Isolde Quilts," also called the “Guicciardini Quilts,” are believed to have been made in Sicily sometime between 1360 and 1400, and depict a variety of images from the historically popular epic of “Tristan and Iseult.”
These quilts are thought to have been part of a group of three quilts originally. One, called the “Tristan Quilt,” the “Tristan and Isolde Quilt,” or the ”Guicciardini Quilt,” is on display at the Victoria and Albert Museum in London, England. The second quilt (the “Guicciardini Coverlet,” or “Usella Coverlet”), as well as a duplicate of the quilt in England, are on display at the Bargello Palace, Museo Nazionale del Bargello in Florence, Italy. The third quilt is believed to be in a private collection. I could not find a link to the quilt at the Bargello, but I did find this interesting blog piece on the making of the duplicates Tristan quilts in Italy, which includes some helpful links. For more information on the scenes and symbols in the quilts, you can view this helpful Wikipedia article.
As with any other technique, trapunto can be used for as simple or as complex a design as you wish, and can add a striking element to your piece. Why not try incorporating a little stuffed work into your next project?
